The performance LIMITS wishes to seize one of these unlived spaces to propose to the audience to experiment it as a specific place called, according to Michel Foucault,

   a heterotopia. « places (…) which are something like counter-sites, a kind of effectively enacted utopia in which the real sites, all the other real sites that can be found within the culture, are simultaneously represented, contested, and inverted. »

 

     LIMITS induces a reverse of the plan, a reverse of the point of views. Gravity is modified. The time slows down. The dancing bodies deploy movements which are impossible on the ground. Other langages are suddenly possible. The old limits of the town become a new floor, a new horizon. New lines, other rhythms appears, new invisible spaces are opened.